Miracle Of Faith – Part 11

Julia Wade

Julia Wade

Note: I suggest that if you haven’t yet read Miracle Of Faith – Parts 1-10 yet you start there.  This way you’ll get the whole story.

The Session:

The first two sessions of this project certainly had their degrees of unfamiliarity for me.  First recording an inexperienced 12-year old boy and secondly, recording a very experienced myself put me in somewhat of a different zone.  So it was only fitting that the third session would go smooth as silk.  And it did.

Julia Wade is as pro a vocalist in the booth as I’ve ever worked with.  She comes in totally prepared for the work, she’s smart and experienced and has all the chops necessary to accomplish just about anything I want.

On top of that, she loved the song and had been singing it around the house for weeks.

There’s not much drama to this story because Julia simply came in and did her job.  We did 7-8 takes and fixed a few rough spots and were finished in a couple of hours.

The comp was difficult frankly because I had so much good stuff to choose from.  Most of the time I sweat going through the comps praying that I have the takes, praying that I have at least one great take per line to work with.  With Julia, there were always a plethora of choices to choose from.

Also, if I may further praise my artist (and wife), Julia is a committed actress deeply involved with the subtext of the songs she sings.  That, coupled with a great and highly trained instrument, makes her a joy to work with.  People often ask how, as man and wife, we work together both as artists and partners in  business running Watchfire Music.  We also run most of the business out of our home and our studio is also in our home.  This means we spend 24/7 pretty much together.

Well, beside the fact that we love each other, we trust each other.  We don’t spend much time looking over one another’s shoulder.  We each do our parts and run our divisions and trust that each of us will do our jobs well.

Recently she took on a new manager and that was a real lift for me.  I was her turn-to manager for the last 15 years.  I did it out of necessity, but never really loved the job.  It always seemed like one thing too many.  So when her new manager, Reggie Bahl, came on board I breathed a sigh of relief and went back to work.

It’s also interesting to note here that Julia has had a twenty-year fascination with the life of Mary Magdalene.  She’s read many books about her, poured over every mention of her in the Bible and already played her once several years back singing a song of mine named I Was There.  So this experience, for her, was a continuation of the exploration of that character.

Hers is a voice that I can hear in my imagination as I write, so I know pretty much how it’s going to sound as I’m writing – a great gift for a composer.  Also I know her instrument so well that I can orchestrate a song without her having previously recorded a scratch vocal because I can hear her in my head.  This way the orchestra and Julia can work as one.

It’s a good partnership.

And more importantly, we have a great time together workin’ it.

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