Archive for the ‘acting’ Category

What Have We Done?

Thursday, April 28th, 2016
Geronimo and Wes Studi, actor

Geronimo and Wes Studi, actor

I know this is an old subject. Racism is just one of those issues that just keeps coming up, doesn’t it?

I watched a terrific movie the other night. It’s not a new movie. It’s an old movie on an old subject. A movie made in 1993. A particular subject that goes back to the beginnings of America. No, it’s not about slavery, but it certainly is about the enslavement of man.

Directed by Walter Hill, Story and Screenplay by John Milius and Staring Jason Patric, Gene Hackman, Robert Duvall and Matt Damon with a heart wrenching performance by Wes Studi, an American Indian of the Cherokee Nation, this totally compelling film, Geronimo, was both fascinating and broke my heart.

Wes Studi as Geronimo

Wes Studi as Geronimo

I’m a white guy – of English and German descent. Descendent of two warring nations and born into a third – America. For most of my life, I thought of myself and my country as the “good guys.”

I’m no longer so sure of that. (When was the last time you saw a movie and the CIA was the good guys?) And after the other night’s two hours with Wes Studi and his characterization of the great Geronimo, Apache warrior and last free man of his tribe, I find myself pretty disgusted with the whole notion of cowboys and Indians.

My God, how we did them wrong …

Geronimo of the Apache Nation

Geronimo of the Apache Nation

Sad to think that that period of such total confusion was one of the beginnings of America. We conquered the Indian Nations of America, wiped out their homes, imprisoned them, destroyed their culture, and looked down our not-so-holy noses at their religion and their God.

Shame.

We need these kinds of films. They are reminders of the gross mistakes we have made and reminders of the travesties of our actions.

The movie has haunted me for days.

I am deeply sorry.

 

Casting In New York

Thursday, March 24th, 2016

Casting-Call-waiting-room

For over thirty years I taught the Auditioning course at The Neighborhood Playhouse School Of The Theater here in NYC. At last count I have sat through over 20,000 auditions during my lifetime in show biz. That’s a lot of awkward moments and a few incredible ones.

Auditioning is an art of its own and very few people ever really get it down. First of all it comes replete with nerves. Normally when an entertainer finishes their moment it is met with applause. That’s the culture. But in an audition, when one is finished, it is only natural to be met with a number of critical eyes and at best, silence.

Even the very talented are very fortunate to be “accepted” one out of ten tries. Failure to get the job is the norm for even the best of talents. It’s a tough world.Casting Call 2

Sitting on the other side of the table, as I have done so for over 40 years, has been exciting, tough, boring, awkward and sometimes even painful, and I could regale you for hours with story after story of fascinating moments of human failure and success.

As much as I’ve done it, it never ceases to stimulate the old juices in me to yet again go down that road. Last week was no exception.

On Thursday I saw over 40 singers audition for 4 roles in Is Anybody Listening – Concert Theater and Webcast at the Sheen Center rehearsal rooms in NYC. This was not an open call where anybody could come in if they were patient enough to wait in line all day, but rather a call through a casting director who scheduled top talent through their New York agents..

Still, each singer had only 5-minutes time allotted them to come in, do their thing and knock us out.

Once again I was amazed at the energy of these special creatures – the Broadway kids, the recording artists, the studio singers, the church singers. They sang their 32 bars of an up tempo tune and (in some cases) another 32 bars of a ballad and we had a few words and then they were gone – back out into the streets, and on with their lives.

We called back the cream of the crop, about 15 of them, the following day and spent about 15 minutes with each working with them and finding out more about their vocal instrument, their acting ability within a song, their true sense of pitch, their innate sense of rhythm, their stage personalities, their charisma, their dedication, their ability to handle the curve ball, their ability to take direction, their vocal range, and probably most important, their ability to focus under fire and their grace at being a joy to work with.

audition-1024x768-300x225A lot to gather in 15 minutes, but hey, I’ve been doing this for 40 years, so repetition teaches one to watch for certain things very carefully in order to make the right judgment in the end.

My overall rule is this: The audition is a microcosm of the entire experience you will have with the talent. So if they’re 10 minutes late to the audition, you’ll end up firing them in rehearsal for being late all the time. If they’re a little bit pitchy in the audition, you’ll end up firing them at some point for singing off key. If they treat the pianist improperly because they’re nervous, they’ll make enemies in the cast. And if their nerves affect them a lot in the audition, then how good will they really be opening night when everything really counts in front of the NY critics?

Another thing I often do during callbacks is to, in some way in the course of the experience, throw them a curve. They say in baseball, “You’ll never make it to the majors if you can’t hit the curve ball.” The same holds true for show biz. Everyone is always trying to be on his or her best behavior in an audition. It’s only natural to want to put your best foot forward. But I want to find out how you’re going to act three weeks into rehearsal when everyone’s struggling to learn the lyrics, remember the choreography, sing the right part and absorb the daily changes constantly thrown at them.

So I throw a few curveballs – just to see how they might handle the unexpected.

In the end, after the last note has been sung and the holding room has cleared, we, the staff, sit around the table, spread their pictures out on the table before us and talk each person down with all our thoughts about how good they were, how graceful they were, and essentially if they were the right type for our show. There’s always someone who just knocks our socks off, but just doesn’t fit the type. These, for me, are the toughest to turn down because, well … I just love talent! When that person can really bring it, I don’t have to even think. The chills that run up and down my spine when they’re singing tell the tale. So after they do so well and prove themselves so solidly, it’s really tough to turn them down just because they might not “look” the part.

On those two days of casting, seeing 60-100 performances, we were very fortunate to have at least 20 chill moments. NYC is always full of exceptional talent. The streets just ooze with it. And I must say that those two days were better than a Broadway show! The talent is just amazing.

Irving_Berlin_Portrait

Richard Rodgers, Irving Berlin & Oscar Hammerstein Casting

In the end we hired two. We’re still considering one of the others but waiting to decide based on a whole slew of things.

But the two we hired brought tears to my eyes and hope to my heart. The tears were tears of joy at the talent that poured from them. And I just keep thinking, “Wow! I get to work with them! I get to have them in my show.”

Now if we can just raise the rest of the money …

But that’s another story.

Interview With Mezzo-soprano Isola Jones

Thursday, February 25th, 2016

blog_amy_duncan
Guest Blogger, Amy Duncan


ISOLA-JONES copy

American mezzo-soprano Isola Jones is a highly acclaimed opera singer who sang at the Metropolitan Opera for 16 seasons (over 500 performances) and has sung with many opera companies throughout the U.S. and abroad. Isola was born in Chicago, and her striking looks reveal her ancestry—African American, Native American (Cherokee) and European.

Isola Jones is best known for her portrayal of Carmen, her signature role, however she also collaborated with James DeMars and wrote an aria for an opera written for her: “Guadalupe, Our Lady of the Roses.” She is an adjunct faculty member at South Mountain Community College, where she shares her gifts with her students. She has earned her Masters and is now pursuing her DMA (Doctor of Musical Arts) from Arizona State University.

Isola recently participated in a recording for Watchfire Music—a collaboration with pianist/composer/arranger and WFM recording artist Deborah Offenhauser, in Deborah’s debut as an orchestra arranger and her first time recording with a vocalist. The album, “Child of God,” illustrates the Creator’s loving embrace for his children, and is the result of several years’ work by Deborah in writing the music and lyrics.

 

INTERVIEW by Amy Duncan, Guest Blogger — “Tending The Fire”

First of all, I know you’re working on your Doctorate Degree. I would love to hear about that and what made you decide to undertake this at this particular time in your life.

I don’t plan to retire anytime soon and I love the academic environment. Earning a terminal degree (Doctor of Musical Arts) provides me with the necessary credentials to control my future. I received an Honorary Doctorate twenty years ago from Providence College in Rhode Island, but an earned doctorate is the Holy Grail in education.

Second: Tell me a little about the new CD and your experience working with Deborah’s music.

I’ve known Debbie for over twenty years, and when she asked me to

record her music, I was happy to be a part of the project. She was gracious in allowing me to make some changes in the vocal line that better suited my style of singing.

How would you describe your style of singing?

In 1975, I auditioned for Leonard Bernstein who was casting his newest musical, 1600 Pennsylvania Ave. He was amazing and charming and I will quote exactly what he said to me: ” You belong in an opera house.”

Tell me about when you first started singing and when and how you realized it was your calling.

 I suppose I’ve always known that I wanted to sing. It wasn’t until I heard Leontyne Price sing on “The Voice of Firestone” television program in the ’60’s that I decided that the opera was my passion (I was eleven years old). Leontyne Price possesses the most beautiful voice on earth!!

Fourteen years later, when I was the mezzo-soprano understudy with the Chicago Symphony Orchestra under the baton of Sir Georg Solti who was conducting the Verdi Requiem (a major orchestral piece with orchestra, chorus and four soloists), I was called in to sing the final dress rehearsal because the guest artist (mezzo) was sick!

When I arrived at Orchestra Hall I was introduced to the other soloists and we began the rehearsal: on my right, Leontyne Price, on my left Luciano Pavarotti and on his left was Welsh bass, Gwynne Howell.

My career began that day! Solti offered me the role and the recording of the part of Mary in the Wagner opera “The Flying Dutchman.” Decca London Records contacted me about performances and a recording of the Gershwin opera “Porgy and Bess” in Cleveland with Lorin Maazel conducting. “Porgy and Bess” won the Grammy that year for Best Opera Recording.

 You’ve had a broad and varied career in opera. Has this been your only love, or have you sung (or wanted to sing) other genres?

 I appreciate all kinds of music, regardless of genre, but I, however prefer to sing classical music because of its supreme beauty and its power to transform both performer and audience.

 Are you happy with the way your career has developed, or is there something else you have wished for or still wish for?

 I love my life and I’m doing what I love to do! I’m singing, teaching and will graduate on May 9, 2016 with a Doctor of Musical Arts degree.

How do you feel about the future of opera, considering the financial challenges many of the arts are facing today?

I believe the answer is in marketing the product (opera) correctly.

I teach in South Phoenix where the musical culture gravitates to hip-hop, rap and mariachi music. For the past eight years I have given classical recitals to raise money for South Mountain Community College’s annual Stars Concert: music scholarship fundraiser.

Five of those eight years, I’ve sung with my students: solo arias, duets and ensembles. In September we performed the opera “Carmen” to a packed house! We posted notices on social media websites and we had gorgeous posters to distribute.

This is all to say that those who work in public relations need to use their imagination and present a compelling reason for the public to come to the theater. If Madonna can be famous, anything is possible!

Do you have any advice for young opera singers just starting out?

 Young singers need to simply sing well! And what does that mean? It means that they need to know and understand the science of singing in order to have excellence and longevity as the voice matures.

 

The Glorious Expansion Of An Idea

Tuesday, February 16th, 2016


Why does a light bulb symbolize an idea? Because it represents the expansion of light – the pouring in of light upon a particular subject.

And that’s exactly what is happening now with Is Anybody Listening? – Concert Theater and Webcast. The light around it is growing brighter every day.

It started out to be a piece of concert theater that explored the lost art of listening through music and song, but it has developed these past few months into a far wider and even potentially mammoth project that through both music, multimedia and live performance will explore the awareness, and subsequently the healing of the problems of the world around us.

Consider the power of Michael Jackson and Lionel Richie’s We Are The World released in 1985 and unifying the world, raising millions for charities and going quadruple Platinum in a few short weeks.

Consider the impact of the Beatles’ All You Need Is Love to the Woodstock Nation of people uniting under the banner of Love and essentially standing up against the war in Viet Nam and working for peace.

Consider Peter, Paul and Mary’s If I Had A Hammer, Paul Simon’s Homeless, Joni Mitchel’s Parking Lot …

 The list goes on and on.

Music is a timeless connective that goes beyond language and culture and has the power to unify thought.

And so Is Anybody Listening? — more than any one thing — is about Awareness.

The first step of healing is always to identify the problem, the cause – not the result, but the mental cause of a problem. This is our intention here at Watchfire Music – to identify World Issues that need our attention – not through fear mongering headlines, but through positive value focus on awareness and healing. And while we’re at it, be highly entertaining.

Have you ever been healed by a song? Many have. Music is one of the most powerful tools of communication that we have to effect world thought.

So in June of 2016 we will first present the pilot performance of this endeavor, Is Anybody Listening? and then run it all summer as we develop it at the Sheen Center for Thought and Culture, New York’s newest arts center.

Our first act’s offerings will explore the World Issues of the universal quest for Truth, the dignity of women, racism, aging and dementia, dissolution and solution, and the present solution to it all, Love.

The second act will take one of the greatest problems we face in the future, that of Global Water Scarcity, and begin to investigate it in depth. Aptly named H2O, the concert and webcast uses nature’s cycle of water as a metaphor for mankind’s journey, his grappling with mortality and its multifarious meanings, and finally mankind’s eventual rise to a higher consciousness.

As water follows its natural cycle from sky to earth, to river to ocean, and back to the heavens, so man struggles in the same metaphorical cycle. “H2O” deals strongly with the world-wide problems with water today, its relationship to global warming, and correlates these issues with man’s moral responsibilities to the planet and its people.

The very same water

That is wetting your lips

May have flowed through the streets

Down in New Orleans

 

Or flowed down the cheeks

And spilled upon the piano keys

As the brilliant Tchaikovsky sat

And wrote his Pathétique.

 

Here on this rock

As we journey through time

We live by the grace of water

For it bears within its essence

This miracle of life

And infuses this life into the world

From “Water”, Music and Lyrics by Peter Link

Here on this planet, “Where there is no water, there is no life.” And yet life is everlasting, eternal. A higher consciousness will some day clarify this seeming contradiction and put an end to this fear of scarcity. This is the kind of awareness that we hope to bring to mankind. We are not governed by the laws of matter as it seems, but rather, ultimately, by the laws of Spirit and the Spiritual world that our Spiritual leaders have been revealing to us for centuries.

We hope to continue this exploration through music and lyrics, using the new and exciting tools of technology that are at our fingertips to communicate our findings.

We hope you will join us in this endeavor.

Contact:

Marivic Bay Mabanag

For funding opportunities and partnerships

Email: marivicmabanag@yahoo.com

Cell: 415.845.5004

Or

Peter Link

CEO & Creative Director

Watchfire Music

Email: peterlink@watchfiremusic.com

908.608.3189

IDEA

David Bowie And Fame

Thursday, January 14th, 2016

Mandatory Credit: Photo by Richard Young/REX (100574d) David Bowie DAVID BOWIE AT THE CANNES FILM FESTIVAL - 1983

I can’t say that yesterday I was a huge fan of David Bowie’s, but I am now. Why is it that often when someone leaves us, we appreciate them more?

I got an email today, after his passing yesterday, that linked me to Mr. Bowie’s 12 greatest moments on stage. I watched the first one just to pay my respects, but then I was hooked. For the next couple of hours I watched and listened to this great artist spin his magic on stage. I became a huge fan and that will never go away.

david_bowie__not_wearing_a_hat_by_rosiefreakish-d37xomt

David Bowie: an absolutely gorgeous man with true originality and filled with music. A committed actor, a fascinating performer with charisma just pouring through him to his screaming, devoted audience. He had it all.MTE1ODA0OTcxNTYyNTk5OTQ5

I had the thought that if the Martians came to Earth and wanted to experience a couple of interesting Earthlings, I’d first like to introduce them to David and his wife, Iman. What a couple!

db_iman_florence_for_22nd_1000sq

 

 

 

 

 

 

 

 

db95cb00ea6d3c391d512260ec45fde4

 

I’ll stick my neck out here and say that David Bowie was probably the Rock n’ Roll wayshower. He paved the way with his androgynous self and was always one of the leaders of style, content and musical groove. A true entertainer. And yes, the epitome of cool.

The song that stopped me in my tracks and required 5 listening/watchings today was his song, Fame. Its totally infectious groove, its ferocious drive and its classic funk put the song in my top 10 Rock n’ Roll songs of all time. In one word, the title word, he miraculously captures a boatload of feelings. It is musical genius at its best. That one word, repeated throughout the song in several different ways captures his disdain of fame, his deep insight into the concept and his star power.

Fame

David Bowie

obit_david_bowie-1

Fame, makes a man take things over
Fame, lets him loose, hard to swallow
Fame, puts you there where things are hollow
Fame
Fame, it’s not your brain, it’s just the flame
That burns your change to keep you insane
Fame
Fame, what you like is in the limo
Fame, what you get is no tomorrow
Fame, what you need you have to borrow
Fame
Fame, “Nein! It’s mine!” is just his line
To bind your time, it drives you to, crimedavidbowie-labyrinth-700x465
Fame
Could it be the best, could it be?
Really be, really, babe?
Could it be, my babe, could it, babe?
Really, really?
Is it any wonder I reject you first?
Fame, fame, fame, fame
Is it any wonder you are too cool to fool

Fame
Fame, bully for you, chilly for me
Got to get a rain check on pain
Fame
Fame, fame, fame, fame, fame, fame, fame, fame, fame,GTY_david_bowie_ziggy_mm_160111_4x3_992
fame

His chant reminds me of my own bout with fame and my own personal insights into the word. You can find this in this week’s Looking Back post on my blog. Here’s a link if you’re interested:

http://sparksfromthefire.org/2009/03/on-fame/

It’s a good story told many times by yours truly over the years.

We lost a great artist yesterday – a truly original man. But, of course his music remains – his videos, his originality, his charm, his amazing talent …

Bowie Lives!

BN-MA827_bowie0_H_20160111061003

 

davidbowie_2-large_trans++pJliwavx4coWFCaEkEsb3kvxIt-lGGWCWqwLa_RXJU8

 

Update On “Is Anybody Listening?”

Saturday, December 26th, 2015

IAL_temp_logo_400px

The news is all good.

Our RocketHub crowd funding campaign succeeded on several different levels. Though we did not meet goal, we ended up with $15k plus that we did not have before we started. We not only paid the costs of the campaign, but also ended up with a substantial profit to move forward over the next few months.

We also learned many things about our constituency, our tribe. We learned what kinds of people cared about what we were doing and what kinds did not. We learned who our true fans were and we learned who is content to just watch. And we learned about the types of people that we will cater to and those who are simply just not that involved. This was hugely helpful.

Because of what we learned, we shifted the project and pointed it in the directions of interest. I’ve always said, “We serve you. Tell us what you want in the way of inspiration and inspirational music, and we’ll do our best to provide it.”

You spoke; we listened.

In meetings just recently Watchfire Music will now partner with the Sheen Center For Thought and Culture, NYC in producing a wide variety of inspirational music both as live events performed in and webcast from New York City, and also as a series of 20-minute video modules that can be repurposed for a myriad of events ranging from theatrical to corporate and from church to charity productions.

These modules will address a myriad of world problems, inspire in a most entertaining fashion with pertinent songs and arresting visuals, and tune the ear and eye to a better sense of listening to the heartbeat of the world around us.

“Is Anybody Listening?” will focus the imagination and attention of people around the world on the problems that we face and the solutions that are at our fingertips, and is a clarion call to the world to pay attention.

Our focus audience and clients:

Individuals Seeking Inspiration

Corporations

Fund Raising Benefits

Theatrical Presentations

Nonprofit Charitable Organizations

Church Groups

Here are just a few examples of the issues that the modules would address:

Water — Global Water Crisis

Healing Response to World Tragedy

The Intercession of Science and God in the Universe

Corporate Promotions and Public Opinion Issues

Shootings and Gun Control

Spiritual Awareness

Healing Depression

Terrorism

For those of you who donated, we are working now on fulfilling our obligations to you and clarifying your part in this endeavor over the next few weeks. Thank you and welcome to the fold.

We now have well over a hundred dedicated people working on this project. Our goal is to now add some zeros to that 100. We need each of you to reach out to others who share these interests and would like to help.

These monies and these ideas are just a start, but there is a strong professional foundation underlying this project that insures its success. Between the Sheen Center and Watchfire Music and other great professionals that we will attract, this project will move forward and through music will inspire the world to better listening and therefore better action and reaction.

Join us. It’s a most exciting road we travel.

Is Anybody Listening? — A Few Thoughts #7

Saturday, December 12th, 2015

PJL-Header

Dear Friend,

One more.

This show, Is Anybody Listening? is not a new idea.  It has been road tested and developed over 7 years now through both the Watchfire Music Listening Room Concerts in New York City that we produced for 3 years, Julia’s national concert tours for 3 years and recently 3 concerts here at home at the Mondo Arts Center.

I also produced The Jenny Burton Experience concerts that ran every Thursday night for 7 years at one of the top clubs in NYC and won just about every NYC entertainment award possible including Entertainers of the Year. Jenny is a cast member.

We’re good at this.

The show itself is both entertaining and most powerfully inspirational.  You may have seen this before, but it bears repeating.

What’s it all about?

Presented as theatrical concert, “Is Anybody Listening” is a deeply personal search into the concept of Listening – not only listening to music, but also listening to each other, to one’s own heart, to the lessons of one’s own past, and ultimately, listening to God.

Written by composer, Peter Link, it challenges the accelerated pace of our fast moving lives and asks us to slow down and rediscover the lost art of listening.

“It explores this through my own personal insights discovered over a half century of songwriting and 18 of my favorite songs written over a lifetime of composition.” ~Peter Link

With titles like “God Is Your Rock”, “Nothing, Only Love”, “A Walk In The Snow”, “I Think On These Things”, “Let Love Find The Way” and “Watercolor” sung by a cast led by Julia Wade, Jenny Burton and Link, himself, the evening soars musically and inspires us all to think more deeply.

It promises to be an evening both entertaining and evocative, and it comes to you from heart to heart.

It deserves the support of our community.

Here’s the link to our Rockethub crowdfunding page with updates: “Is Anybody Listening?”

Thanks for listening.  Now it’s time to act.

 PJL-Signature-footer

THANK YOU to those who have already funded our project.
We kept you on this list so that you can follow and/or spread the word.
 

Nothing’s Impossible

Wednesday, December 2nd, 2015

Julia with Hat retouched 450

“Nothing’s impossible if you believe

Your faith will carry you along

Hold on to ev’rything you know

Oh and don’t let go”

Though I wrote the above lyrics for this duet sung by Julia Wade and Cynthia Clawson, this is pure Julia. Perhaps it’s one of the reasons why I married her. She just won’t let go.

For her, life is just one battle to triumph after another and it’s her faith and her bulldog tenacity that often get her through – and her sweetness. It’s an unusual combination, bulldog tenacity and sweetness – not often found working together in us humans. Perhaps that’s what makes Julia so special – the mix of the two and the drive to never give up and always believe in the possible.

“Love will sweep the shadows out

Light your way, cast off the blind doubt

And you’ll find out …

That nothing’s impossible if you believe”


More pure Julia. Oh, she can sometimes have blind doubt, like anybody else, but when she’s pure Julia, the blindness falls away and she’s about as loving as we humans can get. She radiates love. And I’m a lucky guy to be able to exist in the vicinity of that outpouring. It is often the spiritual food that feeds me and gets me through it all.

Cynthia Clawson

Cynthia Clawson

I’ve not spent much time with Cynthia Clawson. Her husband, Ragan Courtney and I are lifelong buddies, but most of that bonding time was spent together before he met Cynthia and settled down.

Cynthia, Ragan and Family

Cynthia, Ragan and Family

However, one long weekend with the two of them more recently recording this song and shooting some accompanying video was all it took to see that Cynthia ain’t just actin’ a song here, but lives this message every day as well. She also just radiates love.

So this isn’t just a song with some positive words and a catchy melody here. This is the essence of this CD. This IS two wise women who practice what they preach every day, and though in the song they’re talking to one another, they’re really talking to all of us.

Nothing’s impossible. Pretty heady words … Can we really triumph over anything that comes our way? Well, of course, then there’s the big IF. “If you believe …”

 “Believe in what?” you ask. Just believe, is the answer. That’s what faith is all about. Faith is for when you have nothing – no answers, no solutions, no hope, no clarity, no guts, no dreams. So …

Be beyond the sea of doubt

As you live and breathe

Have faith. Just believe. Believe you can do it, have it, make it, find it, own it, create it. Believe in the wondrous world of yourself.

Hold to this each and ev’ry day

Nothing can take this faith away

Ev’rything is possible when you believe

Down in your soul

So celebrate!

“Celebrate when you have nothing?” you ask. Sure. Why not? Have faith, for God’s sake.

Nothing’s impossible!

 

Ragan and Cynthia

Ragan and Cynthia

Nothing’s Impossible

Music and Lyrics by Peter Link

Julia

Once I let good fortune fashion my life

I played the spinning wheel

And sometimes I lost and sometimes I won

As luck would have it

Cynthia

Uh huh …

Life was just feast then famine

Julia

Then I stumbled on the truth

Took the life I had and signed out

Both

I’d find out … that

Julia

Nothing’s impossible if you believe

Cynthia

I know what you mean…

Julia

Your faith will carry you along

Cynthia

All through your life

Both

Hold on to ev’rything you know

Oh and don’t let go

Julia

Nothing’s impossible if you believe

Cynthia

       If you just believe

Julia

Ev’rything is possible for you

Cynthia

       Time after time

Both

Hold to this each and ev’ry day

Nothing can take this faith away

 

Ev’rything is possible when you believe

Down in your soul

Cynthia w/ Julia answering

Hallelu

Hallelu

Hallelu

Hallelu

Hallelu – jah

Hallelu

Both

Hallelujah!

 

Be beyond the sea of doubt

As you live and breathe

Cynthia

Life turns not upon the luck of the draw

That’s what the wise ones say

So follow your heart and bring it to pass

Whatever beckons

Julia

Yeah …

Both

Life works when truth is natural

Cynthia

Love will sweep the shadows out

Light your way, cast off the blind doubt

Both

And you’ll find out …

Cynthia

That nothing’s impossible if you believe

Julia

       Nothing’s impossible

Cynthia

Your faith will carry you along

Julia

       Carry you all through your life

Both

Hold on to all the good you know

Oh and don’t let go

And whatever happens …

Cynthia

Nothing’s impossible if you believe

Julia

       If you just believe

Cynthia

Ev’rything is possible for you

Julia

       Time after time

Both

Hold to this each and ev’ry day

Nothing can take this faith away

 

Ev’rything is possible when you believe

Down in your soul

So celebrate!

Choir & Ladies

Hallelu

Hallelu

Hallelu

Hallelu

Hallelu – jah

Hallelu

Hallelujah!

 

Both

Take a moment

Praise the Lord

Let your spirit soar

Cynthia

Nothing’s impossible

Julia

Ev’rything is possible

Cynthia

Nothing’s impossible

In your life

Julia

Nothing’s impossible

Cynthia

Ev’rything is possible

Julia

Nothing is impossible

It’s the truth

Cynthia

Nothing’s impossible

Julia

Ev’rything is possible

Both

Nothing is impossible

There is not the shadow of a doubt!

Cynthia

Nothing’s impossible

Julia

       Ev’rything’s possible

Cynthia

Nothing is impossible

Julia

It’s true Cynthia

 


Get Adobe Flash player