Archive for the ‘music industry’ Category

Update On “Is Anybody Listening?”

Tuesday, January 24th, 2017

Jenny Burton and Cast – “The Times They Are A’ Changin'”

The news is most positive. As of January 15, 2017 the video editing and remix of the show are now complete and ready for webcast production. I worked with Pamela Radat of J6 MediaWorks digital film and video production in New York who did a masterful job with the two show/ five camera shoot that we filmed last October.

The work was most stimulating and rewarding and we’re all very happy with the result. Simultaneous to Pamela’s editing process, I took the multi-track files that we had recorded during both shows and remixed the entire show for webcast production. Both shows were shot in Hi Def and capture the sound, look and feel of the exciting and standing ovation shows.

Those of you who gave and gave to this production will be happy to see your generosity come to such fruitage.

Julia Wade – “A Still Small Voice”

Now we move on to the next iteration of “Is Anybody Listening?” with much anticipation. In March of 2017 we will begin the webcasting to various interested parties around the world. We’ll have a special evening for all of our past donors, several church presentations here in the U.S., and cap it all off with a series of webcast cyber parties direct from the Sheen Center in NYC to raise investment monies towards a long run in the late spring.

We’ve gone back to the drawing boards, having learned a great deal about our show this past fall in its 4 concerts presented in NYC. Since this entire endeavor is running the cutting edge of a new technology, our initial timeline has changed, and, in fact, lengthened so that we could present the concept in as professional way as possible. We’ll be doing some re-casting, further staffing and actually adding several new songs to the show as well.

Here’s a little teaser as to the look and feel of the show.

Link to YouTube Audition Video of the Opening Song Here.

Many of you have been such a vital part of this with your generous giving and support, and in these most interesting times, we have learned that this show has a very necessary place in our changing world. It’s a right idea in its time. The theater critics concur:

“There is a perfect storm going on over at the Sheen Center, and you are going to want to be totally immersed in the experience.

 “To call IS ANYBODY LISTENING? a concert is doing it a disservice. It’s a bone-chilling soul-searching arousal of humanity and its ability to survive and thrive. EVERYBODY should be listening. One more show – go, go, go!” 

~Laurie Lawson – Electronic Link Journey

IAL Funder Letter #7

Monday, May 16th, 2016

Dear Friend,

Is Anybody Listening?

Who is our audience?

Audience-1-450

You are.

But it must go beyond you. We speak to the “spiritual, but not religious”, the independent spiritual seekers, the millions of other healers on the planet – those that sit on the neighboring edges of our particular healing nation.

We offer an ‘alternative’ approach to awareness and healing – or perhaps an ‘additional’ approach.

The power of church in many people’s lives is great. But what about the many people who don’t go to church? What jogs their thought to a more spiritual approach and to the spiritual solutions that WILL solve the problems of our world?

Our particular language is music and song. It’s a universal language that speaks to all. It entertains, educates and inspires. It’s a joyful enterprise.

Audience-3-450

Nobody has a corner on Truth. The Truth is simply available to all of us.

Learn More:

Is Anybody Listening

Participate Now:

http://watchfiremusic.com/wfm/is-anybody-listening/donate-now/

 

Thanks for listening,

Peter Link

IAL Funder Letter #4

Sunday, April 10th, 2016

IAL_temp_logo_blue-450

Dear Friend,

Is Anybody Listening?

There is something in the stillness

Calling softly to me

Even though I’m all alone

And the sound is like nothing

I’ve ever heard or seen

And it’s calling from the deep unknown

That’s right. It’s a calling. This project is a calling. We’re accepting the call.

Then the mountains move

And the cold wind roars

And the fire fills the sky

But temptation always passes by

Leaving something in the stillness

Calling softly to me

And so, we’re listening.

We believe there is a better way of fixing the problems of the world that we all face going forward, a more spiritual way of healing these issues.

It’s a still small voice

Oh a still small voice

Can ya’ hear it?

A still small voice

Calling to me

 And so I’m listening. And I’ve found that …

There is something in the silence

When I quiet my mind

And the water’s rolling over me

And the hush it is endless

And the song runs free

And the voice is like a melody

And I believe that music is the messenger in the communication of these profound ideas of restoration that every one of us already knows.

And the time shall come

When the choice is made

And the voice deep inside

Will stay with you and be your guide

Through the waters ahead

 Well, that time is now.

 It’s a still small voice

Can you hear it?

We each have the power to heal. We do it every day – in small ways, in big ways. Join us in this healing work.

Can you hear it calling?

Learn More:

Is Anybody Listening

Participate Now:

http://watchfiremusic.com/wfm/is-anybody-listening/donate-now/

 

Thanks for listening,

Peter Link

Lyrics from It’s A Still Small Voice, Act II, Is Anybody Listening?

IAL Funder Letter #3

Wednesday, April 6th, 2016

IAL_temp_logo_blue-450

Dear Friend,

So far in my first two letters I’ve asked two questions: “What is the evening all about?” and “Why are we doing this?”

Here’s a third: Who can solve the issues we face in the world ahead?

And here’s how “Is Anybody Listening? will answer it.

Well here we are

Now at last together

Here we are

Soldiers seekers healers are we

What brings us to this mountain top?

What questions lie upon your tongues?

Tell me all about it

What questions lie upon your tongues?

 

Who will heal the world?

Who will save the children?

Who will cleanse the waters of the earth?

Who will heal the world?

Who will stir the ashes?

Who will bring the barren land to birth?

 

Who will rescue the fallen man?

Mend the broken hearted

Build the families

Give back the dignity

That’s now been taken away?

 

Who will heal the world?

Who will bridge the waters?

Who will break the barriers between man?

 

Now you know the answer lies with God

But the task he gives to me

 

So send me up to the mountain top

Send me into the valley below

Send me out into the wilderness

Here I am send me

Here am I   send me

Here I am

 

Who will heal the world?

Who will end the famine?

Who is there to multiply the loaves?

 

Now you know the power lies with God

But the hour belongs to you

 

So send me up to the mountain top

Send me into the valley below

Send me out into the wilderness

Here I am send me

Here am I send me

Here I am

 

Send me into the prison yards

Send me into the heart of danger

Send me out into the battleground

Here I am send me

Here am I send me

Here I am

 

Send me into the broken homes

Send me out into the asphalt jungles

Send me deep into the troubled sea

Here I am send me

Here am I send me

Here I am

 

Send me into intensive care

Send me where the people are dying

There my brothers will be set free

Here I am send me

Here am I send me

Here I am send me

            Lyrics from “Who Will Heal The World”, Act II, Is Anybody Listening?

Won’t you join us in this great adventure? Have you thought about what you can do to make a better world for yourself, your kids, all of mankind?

Here’s how you can participate:

 Donate Now:

http://watchfiremusic.com/wfm/is-anybody-listening/donate-now/

Visit the web page:

Is Anybody Listening

 

Thanks for listening,

Peter Link

 

IAL Funder Letter #2

Wednesday, March 30th, 2016

IAL_temp_logo_blue-450

Dear Friend,

Once again I ask, “Is Anybody Listening?”

If you are, read on.

So now to the question, “Why are we doing this? To what purpose?”

We are doing this to enlighten. We can all change the world by bringing awareness first, and then healing. And music is the medium of communication. Music, a language of Spirit, is a most wondrous medium.

“Next to the Word of God, the noble art of music is the greatest treasure in the world.” ~Martin Luther

Is music powerful enough to move mankind to a spiritual basis? If it is not, what language is? For music is a universal language.

Using music as the great communicator is powerful, but not enough. One must also have content. One must also have the answers to the problems. Those answers, we believe, are found not in material solutions, but spiritual.

Love is the answer.

Let’s look at terrorism as an example.

Evil cannot be solved through material means. Unfortunately, that’s the way the world tries to solve the issues we all face. But as we look around us, we see pretty clearly that that’s not working.

Well, there’s simply a better way to go about this.

Love is the answer.

And if you lose your faith in man

And find your life in disarray

And question how it all began

And why you went astray

And looking back you wonder

If you had only worked from love

And left regrets to yesterday

And let love find the way

 

Where would you be today?

In a quiet space

In a holy place

If you only had worked from love

And let love find the way

 

Then heart to heart and eye to eye

The bond between becomes restored

And all is well in one accord

When you let love find the way

Lyrics from 1st Act Closer, Is Anybody Listening?

 

Only by becoming more conscious of our spirituality will we triumph over the world’s evils. This is what must be learned and demonstrated by all mankind.

How do we convince them (and ourselves) of this? In the same way we teach children — by setting a great example and communicating the truths of existence in a clear and loving way.

Love is the message. Music is the messenger.

Thanks for listening,

Peter Link

PS – Interested in supporting this project?

 Donate Now:

http://watchfiremusic.com/wfm/is-anybody-listening/donate-now/

Visit the web page:

Is Anybody Listening

 

IAL Funder Letter #1

Saturday, March 26th, 2016

 

IAL_temp_logo_blue-450

Dear Friend,

We’re close.  We’re almost there.

I am writing to bring you news of the progress and great growth of our exciting project.

As you probably already know, our company, Watchfire Music, along with the Sheen Center for Thought and Culture in New York City, is now producing a new project called

“Is Anybody Listening? – Concert Theater and Webcast”

It is an evening of inspirational music designed to bring awareness and healing to many of the world issues we all face.

The pilot production, performed by some of NYC’s top talent, opens this July at the Sheen Center in Manhattan and runs through the summer. The show is designed as a live concert piece that will also be filmed for use in shorter segments and webcast all summer to a world-wide audience.

Here is a further insight into the project.

In my over 40 years working as a composer, music producer and stage director in the entertainment business I can’t remember being so excited as I am now.

What is the evening all about?

It’s about the Scarcity of Water, the Dilemmas of Racism, the Dignity of Women, the Struggles with Aging … and it’s about Love – and its potential to heal these problems and more.  And it’s all communicated through the power of music and song.

It’s a new and groundbreaking idea.  It melds the power of Internet technology with live theater and music in a way that’s really never been done before.  So this summer we’ll be developing this idea in a pilot production and webcasting it to the world with the confidence that “Seeing is believing.

We’re writing to you as potential “early believers.” Our RocketHub funding campaign brought us to this point and provided monies for casting, staffing, music preparation and start up costs. We’re now poised, cast and ready to go into rehearsal after five years of careful experimentation and preparation.  Now, we turn to you — our friends, families and followers — for your financial support.  As an “early believer,” you will give light to this project.”

Want to learn more?

Follow these links:

Donor Levels

http://watchfiremusic.com/wfm/wp-content/uploads/2016/03/IAL_Donor_Levels.pdf

Visit the web page:

http://watchfiremusic.com/wfm/is-anybody-listening/

Listen and Watch:

http://watchfiremusic.com/wfm/is-anybody-listening/listen-and-watch/

Imagine Your Own Customized Concert Webcasts

http://watchfiremusic.com/wfm/is-anybody-listening/listen-and-watch/#just-imagine

Donate Now:

http://watchfiremusic.com/wfm/is-anybody-listening/donate-now/

Thank you for joining us and being part of this inspiring journey!

With love and appreciation to each of you,

Peter Link

Casting In New York

Thursday, March 24th, 2016

Casting-Call-waiting-room

For over thirty years I taught the Auditioning course at The Neighborhood Playhouse School Of The Theater here in NYC. At last count I have sat through over 20,000 auditions during my lifetime in show biz. That’s a lot of awkward moments and a few incredible ones.

Auditioning is an art of its own and very few people ever really get it down. First of all it comes replete with nerves. Normally when an entertainer finishes their moment it is met with applause. That’s the culture. But in an audition, when one is finished, it is only natural to be met with a number of critical eyes and at best, silence.

Even the very talented are very fortunate to be “accepted” one out of ten tries. Failure to get the job is the norm for even the best of talents. It’s a tough world.Casting Call 2

Sitting on the other side of the table, as I have done so for over 40 years, has been exciting, tough, boring, awkward and sometimes even painful, and I could regale you for hours with story after story of fascinating moments of human failure and success.

As much as I’ve done it, it never ceases to stimulate the old juices in me to yet again go down that road. Last week was no exception.

On Thursday I saw over 40 singers audition for 4 roles in Is Anybody Listening – Concert Theater and Webcast at the Sheen Center rehearsal rooms in NYC. This was not an open call where anybody could come in if they were patient enough to wait in line all day, but rather a call through a casting director who scheduled top talent through their New York agents..

Still, each singer had only 5-minutes time allotted them to come in, do their thing and knock us out.

Once again I was amazed at the energy of these special creatures – the Broadway kids, the recording artists, the studio singers, the church singers. They sang their 32 bars of an up tempo tune and (in some cases) another 32 bars of a ballad and we had a few words and then they were gone – back out into the streets, and on with their lives.

We called back the cream of the crop, about 15 of them, the following day and spent about 15 minutes with each working with them and finding out more about their vocal instrument, their acting ability within a song, their true sense of pitch, their innate sense of rhythm, their stage personalities, their charisma, their dedication, their ability to handle the curve ball, their ability to take direction, their vocal range, and probably most important, their ability to focus under fire and their grace at being a joy to work with.

audition-1024x768-300x225A lot to gather in 15 minutes, but hey, I’ve been doing this for 40 years, so repetition teaches one to watch for certain things very carefully in order to make the right judgment in the end.

My overall rule is this: The audition is a microcosm of the entire experience you will have with the talent. So if they’re 10 minutes late to the audition, you’ll end up firing them in rehearsal for being late all the time. If they’re a little bit pitchy in the audition, you’ll end up firing them at some point for singing off key. If they treat the pianist improperly because they’re nervous, they’ll make enemies in the cast. And if their nerves affect them a lot in the audition, then how good will they really be opening night when everything really counts in front of the NY critics?

Another thing I often do during callbacks is to, in some way in the course of the experience, throw them a curve. They say in baseball, “You’ll never make it to the majors if you can’t hit the curve ball.” The same holds true for show biz. Everyone is always trying to be on his or her best behavior in an audition. It’s only natural to want to put your best foot forward. But I want to find out how you’re going to act three weeks into rehearsal when everyone’s struggling to learn the lyrics, remember the choreography, sing the right part and absorb the daily changes constantly thrown at them.

So I throw a few curveballs – just to see how they might handle the unexpected.

In the end, after the last note has been sung and the holding room has cleared, we, the staff, sit around the table, spread their pictures out on the table before us and talk each person down with all our thoughts about how good they were, how graceful they were, and essentially if they were the right type for our show. There’s always someone who just knocks our socks off, but just doesn’t fit the type. These, for me, are the toughest to turn down because, well … I just love talent! When that person can really bring it, I don’t have to even think. The chills that run up and down my spine when they’re singing tell the tale. So after they do so well and prove themselves so solidly, it’s really tough to turn them down just because they might not “look” the part.

On those two days of casting, seeing 60-100 performances, we were very fortunate to have at least 20 chill moments. NYC is always full of exceptional talent. The streets just ooze with it. And I must say that those two days were better than a Broadway show! The talent is just amazing.

Irving_Berlin_Portrait

Richard Rodgers, Irving Berlin & Oscar Hammerstein Casting

In the end we hired two. We’re still considering one of the others but waiting to decide based on a whole slew of things.

But the two we hired brought tears to my eyes and hope to my heart. The tears were tears of joy at the talent that poured from them. And I just keep thinking, “Wow! I get to work with them! I get to have them in my show.”

Now if we can just raise the rest of the money …

But that’s another story.

Healing The Digital World — Part 2

Wednesday, March 9th, 2016

Binary code on a surface of a planet

Just last week, the day before an extremely important session that I had been preparing for weeks, while working, I went to instantiate (to apply or add) an additional virtual instrument to a song that I would be showing the next day to the producer of my new show. Not only would the computer not add the track, but also it told me that I was not even authorized to use the software that would create the instrument of choice.

This had never happened to me. I had worked with this particular software for many years, had authorized (registered) it long ago when I bought it and had upgraded it religiously through the years.

I went to another track whose instrument also came from the same company, an instrument that had been playing just fine only a moment ago, and it would suddenly not play either. I went to its source and was also told again that now I was not authorized to use this instrument either.

So I tried to re-authorize the software with the company, but there were no codes that should have been supplied by the company on line to start the process. On top of it all, it was Saturday and there was no one in tech services at the company. In fact, the company was closed for the weekend and my show and tell was Sunday, the next day.

And on top of that, as I began checking through the four major new songs that I was to play for the producer the next day, I found that a total of 35 instruments, all coming from the same company, would not play and were no longer authorized.

I was sunk. Yes, “sunk.” Panicked, doubtful and confused. And then of course ‘lack of time’ stepped in and made things worse.

I was heartbroken. I had been looking forward to getting this producer on board and excited about my work for weeks and now I would have to cancel.

Then, as I began to work through each of the songs I began to hear other problems as well. It actually seemed as if things were getting worse with each playing of a song.

I went to my back-up hard drive and things weren’t as bad there with the four songs, but as I played through them I could tell that they too were beginning to break down and fall apart.

Now I was in jeopardy of losing the entire songs – all my work over the course of the last several months.

As the problems progressed rapidly, I began to wonder if I had a virus.

The word “virus” stopped me in my tracks. It was the height of my fear and yet it was the word that got me to stop and take a mental stand against disease.

I knew that if I were able to pray for the healing of my body, that since my body and my computer was made of the same stuff, (matter) then why would I not be able to heal my computer and its mental problems as well.

I worked to see and understand that all physical problem manifestations were mental and so I worked on realizing that I didn’t need to heal a computer, some steel parts, some software or digital numbers, etc., but rather I needed to heal the thoughts that resulted in these seeming problems.

So I went to work on the subjects of time, of panic, of stress, of confusion and of divine order.

What that prayer did for me first was to calm me down and put a much higher intelligence in control instead of a fear based consciousness. I took a break and calmed down my rushing thoughts. I reorganized the hours left before my meeting. Saturday evening I went back into the studio and calmly figured out several workarounds that would enable me to play the music for the producer.

The prayer that I worked with was that what I was doing was a right idea that would only benefit all of mankind. That there was nothing in the concept or the way in which I was going about the creation of this concept that was false or ego based or in any way might hurt others. I worked to see the project as a grand and noble idea and that could only result in positive and inspirational communication.

Focusing on this more grand idea calmed my thought and for the first time in many hours I was able to think “straight.” Solutions began to pour through my thought and I calmly implemented them into the rest of the evening so that by the end of the evening, I felt ready for the meeting and was joyously anticipating the sharing of my work. My “workarounds” would get me through the coming session.

After church on Sunday morning I met my producer and together we had a 5-hour meeting in my studio of show and tell and solid work without a single technical interruption or glitch.

By the time I put him on the train at the end of the afternoon, I felt nothing but gratitude for the way the day had turned out. Driving home from the train station I was giddy with gratitude for the way things had gone – especially in the wake of the last 24 hours.

When I got home, I expressed this gratitude deeply (another form of prayer) to Julia, my wife. She too had been working mentally for the right atmosphere for the day. I went downstairs to my studio to shut the room down for the day still filled with the spirit of positive completion, but already preparing my thought to start fixing things first thing Monday.

I knew I had my work cut out for me because I really did not know what had gone wrong in the first place to cause all the trouble or how to go about fixing it.

The suggestion came to me to clean the mental atmosphere of my studio once more before I shut things down. I’ll have to admit that there was still the fear that I was not up to the solving of all the problems that I had to work around. They, in my mind, still existed and remained to be fixed, but I knew that at least on Monday, I might be able to reach tech services at the company and get some help.

Though I had only slept several hours the previous night I then put in 5 more hours of calm and clear cleaning of computer, hard drives, software and song set-ups in a concentrated and organized fashion. The work was focused and governed by intelligence. I was surprised by my energies after so long a day.

I did not address the particular problems per se because never did the authorization warnings come up. Never did I have a single problem from the day before that had befuddled me. All the problems that had caused me to fear had disappeared. I simply did what I call “spring cleaning” to my equipment and software.

By the time I went to bed that Sunday evening everything had be totally restored and all errors reduced to their native nothingness. In fact I grew to understand that the problems had been healed before I began my work that evening.

So did I heal my computer? Yes and no. What I healed was the mental atmosphere around it. The healing of that atmosphere resulted in a digital representation of that atmosphere – simply a studio that worked the way it had always been intended to work.

It was the calming of thought that was the essence of this healing. I marvel at the demonstration and joy at its efficacy.

On Monday, a day that I had anticipated as a brutal and frustrating day only 24 hours ago, I spent 15 glorious minutes running a series of perfect tests on my system. All things back to normal. I then went on with the rest of my life – calmly, gratefully and on schedule.

I have to say that I have no idea what went wrong and also that I do not have any idea what I did physically to “fix” the particular and various problems that occurred on Saturday. With a change of my thought, they had just disappeared.

I don’t see this as a miracle, though others might. I see this as the natural result of a change of consciousness. Essentially I had emptied my consciousness of fear-based thought and refilled it with calm intelligence. The result was that the divine order was restored and that manifested in a more perfect order throughout all things.

Therein lies the healing.


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